Yooo wattup homies. I'm writin' here to collect my best noggin droplets. I've felt pretty unfocused lately in my art pursuits. My goal is to be a professional independant comic artist! and make fun stories with ink on paper~
I decided to take up Tim McBurnie's Line & Color Course and really work hard on it to get myself to a professional level. Gotta get paid and all that right.
But anyways I'll mark out here the things im doing in the course and what im working on. I'm not a programmer and my website making skills are sorta RAW so bear with me. I'll keep things in a simple format for now.
01 Tasks to CompleteOkay so Lesson 01 starts with working on one of these influence map bois to hone in on what it is you like and to understand the media that i guess had an impact on you artistically. Honestly, it took me longer than i thought to sort through, my interests tend to vary pretty wildly. But i think it was a valuable little bit of retrospection. The blank format can be found on Google if you search up Influence map.

Okay, hopefully i can intentionally express myself well enough. Lemme break down this lil Maparoo for you peeps if you're curious about what ol' Dandy likes starting top left and working down to bot right.
What can i say? Ripley is just a beautiful lady. I loved her appearance in Alien and when i saw that movie for the first time as a boy i think it had a profound impact on my taste in ladies artistically. Her shaggy hair and the low-leg pantsu are foundational to me. Not to mention her personality, Ripley is strong willed, and doesn't take no shit. That's what i love about her.
SILVER SABLE #36This is actually one of the first comic books i read that inspired me to draw after an exhausting career in the armed forces. The art is incredible and starts with Sable fighting a Shark underwater before tactically assaulting a ship of Mercs. What a badass. Also, iconic knife in mouth panel as she rises from that water. I can't tell you how many times i've read this one comic over and over. It has a special place on my shelf of Coolness.
KAFUNOkay now this one might seem like a bit of a curve ball but here me out! This is a JP artist who specializes in Thicc Beautiful Women and Candy-like colors. What really inspires me though about Kafuns work, is an ability you only see in professional comicbook artists, making scenes that are FULL of FUN & DETAIL! His characters are always interacting in some crazy environment packed with creatures, items, props, etc.
BRETT PARSONBrett! He's the man~! I love this guy so much, his art is so full of life and energy and fun, I really aspire to be like him as an artist. His art featured in Tank Girl is up there with my favorite works. I love Brett's no holds barred approach to Art. He's unafraid to draw whatever he wants and its always so fun to see Alan Martin's crazy Comic stories through Bretts art. I actually met Brett at a convention in Oakland, CA! He was such a cool dood. I bought one of his prints and got to take a picture and chat with him. It was a fun time, also in our photo is a little bit of Brian Posehn's (from Big Bang Theory) head which makes me laugh.
DRAGON QUEST 8Hmm.. this was actually the last square i filled out, but DQ8 is just a game that i remember playing vidily as a kid and the first i saw in the series. Toriyamas Design is Untouchable (have you ever noticed you always remember the Orange Heroes, Naruto, Goku, Ichigo's hair lol). I really love the simple story telling of DQ. I think you're usually a DQ fan or a Final Fantasy fan. I always found FF to be a little too complex story wise to hold my interest as a gamer kid even though that art would be so good. I grew up on Dragonball and DBZ so playing a game in that art style was much more effective at holding my attention.
NARUTOhaha okay.. this show man. I said earlier i grew up on DBZ and thats true to a point. I remember when i was little (like in elementary school) DBZ was about mid way through the Cell-Saga. Once I got around the age of 10 (2005ish) Naruto was airing on Toonami and I WAS HOOKED. I had a religious clockwork schedule built as a child so i would never miss an episode.
I was a lonely kid who grew up in a rural area in America's South. I really connected with Naruto- depicted as a kid who had trouble making friends but wasnt afraid to just do things his way and make things work through effort and hardwork. I always asked for copies of the manga for christmas, Kishimoto's art was so exciting to me. I had a dream of oneday becoming a big comic artist just like him and meeting him oneday lol that was how inspired i was by his art and stories. Alot changed and shifted in my life over the years, but i still look back fondly on that series. I felt like i grew up with Naruto since i was about his same age when i started watching it on Toonami. One of my very first drawings was actually of Kakashi lol. If i ever make it back around to my parents house ill try to find it.
DISGAEA + METALLIASome more JP art! Man Disgaea is such a fun game. My first in the series is 5 and i absolutley love it to pieces! I love the really interesting enemy designs and the character work is so good too! I've had alot of confliction over the years about whether or not to draw in an anime style or more western comic style and my love for Disgaea has not helped XD haha. I love the wacky prinnies and their unhelpful nature. I think personally i'll be leaning more towards western looking characters as I work my way through Tim's course. But i will definitley be looking back to Disgaea for fun Isometric art ideas and wacky little characters. Oh Metallia, i always played with her in my lineup, the Swamp Witch is my favorite! i believe she had her own PS3 game, i've yet to play but surely intend to. Metallia stokes my passion for devious ladies with her maniacal laugh and smirks. I'd love to make an antagonist based off her!
MR JAKEPARKERMR. Parker is right up there with Brett to Me! I look to his videos on Youtube and his Sketchbooks whenever im in need of some advice or inspiration. I love his professionalism and how much he cares about sharing his industry experience. Mr Parker is absolutley another artist I aspire to emulate in my work. Like Brett i really love his approach to drawing with beautiful brush lines. I also love the interesting subject matter he draws, mechs, robots, spaceships, people on journeys, big fluffy clouds, machinery etc. I backed his robots and ships books on Kickstarter and recieved their print versions i think a year or 2 ago now. I always look at them and just marvel at the designwork.
ETHERINGTON BROSOkay Lorenzo's Drawing Tutorials are out of this world! if you need some advcie one drawing defintley go look them up! I got a few of their books as well, and the fun ink work and design ideas are so good. I really feel admire the level of detail they put into teaching design and how to THINK through world building and drawing in general. I continuously revisit their work and hope to measure up to that kind of skill someday.
LINA INVERSELina is such a fun character. I really like OLD Anime. I've spent alot of time going through animes on the Internet Archive etc. My favorite is definitley Slayers. I really relate to Linas nature and how she often goes on long internal monologues before speaking. haha I tend to be that way too. Overthinking before acting. Lina is just so cute! the juxtaposition of her explosive personality is really fun and shes ranked as my top retro anime character.
whew.. okay thats pretty much everything. I tried to provide my reasoning for what i put up on my map. Partly for the benefit of those who stumble on this page to get to know me better, but also for myself. To better understand why i liked the media i listed and to recall how they impacted me. I have a pretty strong mix of anime and western art in my background. I think going forward in my journey i want to excercise beautiful brushed lines like in Brett, Parker, and Lorenzo Etheringtons work. My focus will be black and white inked art first and then flat color secondary. I hope to take design inspiration from the JP influences i listed and include what i like about them in my folowing LIKE List.
Right on! Next part of the lecture was to create a bank of words of things you like and want to see in your art. To act as sort of a guide and help you get through the "what should i draw" drought. Tims list was all fantasy themed. which is cool. but I just chose the most rad things i could think of. If i had portfolio of this stuff id be like dam.. that shits pretty cool. haha when i was writing this list, every word sounded like one of my friends, Reuben -a master of impressions-, if he was saying it in his cool snake voice hahaha.

Tim has some pretty great advice on how to create a Solid Sketching system. I've been drawing digitally for quite some time. But i do admit i have struggled with actually actioning on a sketchbook and utilizing it effectively.
For starters a big point he emphasizes is to prioritize drawing versus collecting and "fetishisizing" (idk how to spell man) art gear. Basically that american consumerist nature is antithetical to true skill development and to be cautious of thinking that "better gear" = better art. I think i've observed and heard similar sentiments from other professionals as well. We've all seen THE QUESTION underneath every famous artists social posts. "hey what pen, pencil, paper, tablet, desktop, lamp, coffeemug, crossroads deal is that?" Pretty sure Tim is just getting across the point hey don't be that guy.
But moving on, for the most part i have a 8x10 sketchbook i picked up at my local bookstore. It was $10 and the company is.. Peter Pauper Press, pretty good quality for dirt cheap! honestly u can't even by a sandwich for $10 anymore so i was suprised. I'm not actually very compitent at Trad art, so sketching on paper is a little bit of a struggle. But i think whats important about a sketchbook is the habit and just trying out ideas. Not making beautiful work to share. Although im sure a process can be made to take cool sketches and enhance them through the magic of scanning and Clip Studio to share.
For drawing tools, when it comes to trad art, i like steadler pencils. I think i've always used steadler, i just like the little metal tin they come in (even though i always take them out lol). And then i have some nifty old prisma color markers from a set my Ma gifted me years ago. And they still go strong! I mostly keep these things in a old pickle jar on my desk with a kneaded eraser nearby. I've found kneaded erasers are just lightyears ahead of the rubber equivalent. Mostly beacuse you can side step the dust issue. But they dont really need much replacing since they auto clean with a little kneading. Handy feature.
Image of my current stuff I'm using for art. Tablet is Huion brand, had it for few years now works great! cheap too~
- by DandyDooodles, Oct 2025. - The lesson plan belongs to Tim Mcburnie, these notes are my efforts in learning to become a PRO Comic Artist.